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BTCP: Robyn Hitchcock

  • The Church 1 St Stephens Ln England, IP1 1DP United Kingdom (map)
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Brighten The Corners Presents acclaimed singer-songwriter Robyn Hitchcock on Thursday 24th September at The Church.

  • Time: 7.30pm - 11pm
    Venue: The Church, Ipswich
    Tickets: £25+bf
    Support: TBC

    Age Restrictions: 14+ (14- 17s must be accompanied by an adult)

    Accessibility: There is step-free access into the venue and the bar / accessible toilet / venue are all on one floor.  For further information, please email info@brightenthecorners.co.uk so we can make your visit as comfortable as possible.

  • With a career now spanning six decades, Robyn Hitchcock remains a truly one-of-a-kind artist –surrealist rock ’n’ roller, iconic troubadour, guitarist, poet, painter, performer. An unparalleled, deeply individualistic songwriter and stylist, Hitchcock has traversed myriad genres with humor, intelligence, and originality over more than thirty albums and seemingly infinite live performances. From The Soft Boys’ proto-psych-punk and The Egyptians’ Dadaist pop to solo masterpieces like 1984’s milestone I Often Dream of Trains and 1990’s Eye, Hitchcock has crafted a strikingly original oeuvre rife with sagacious observation, astringent wit, recurring marine life, mechanized rail services, cheese, Clint Eastwood, and innumerable finely drawn characters real and imagined.

    Born in London in 1953, Hitchcock attended Winchester College before moving to Cambridge in 1974. He began playing in a series of bands, including Dennis and the Experts which became The Soft Boys in 1976. Though light years away from first wave punk’s revolutionary clatter, the band still manifested the era’s spirit of DIY independence with their breakneck reimagining of British psychedelia. During their (first) lifetime, The Soft Boys released but two albums, among them 1980’s landmark second LP, Underwater Moonlight. “The term ‘classic’ is almost as overused as ‘genius’ and ‘influential,’” declared Rolling Stone upon the album’s 2001 reissue. “But Underwater Moonlight remains all three of those descriptions.”

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